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After more than fifty issues delving into the worldwide Black diaspora, this signifies a last piece. The tenure proved incredibly fulfilling, and great gratitude directed to every one of the attentive readers.

Exploring Accra Cultural Week

Experiencing the exhibitions, artworks and shows of Accra Cultural Week, it becomes clear how superior art nourishes and constructs a country’s heritage and character. The highlight was certainly Clottey's stunning [Dis]Appearing Rituals: An Open Lab of Now for Tomorrow, which displayed his innovative afrogallonism on full display: a concept that converts plastic containers into captivating works of art, tapestries of yellow, brass and gold. The display was created as a tribute to the strength of this area, a historical neighbourhood of Accra.

The community – largely home to the Ga community, a fishing community – is also where numerous freed slaves came back from South America and established themselves in the 19th century. Known as the Tabom, they carried with them Brazilian language and culture.

All across Jamestown, one observes a fusion of building designs. You'll find Franklin House, with its distinct colonial-era masonry and door arches. Another landmark is the prominent Jamestown Lighthouse, constructed in the 1871 and subsequently sporting its signature red-and-white-striped exterior.

Customs of Celebration

Equally remarkable about Jamestown is the ubiquitous presence of memorial notices. Everywhere you turn, be it affixed to walls or on big billboards, there are funeral details and expressions of farewell. In Jamestown, similar to the rest of Ghana, funerals are large-scale social gatherings.

In Clottey’s breathtaking installation, every aspect of the sights, sounds and religious textures of Jamestown are evoked – especially in the engaging shoreline installation. Here, you’re soothed by the audio of the sea with granules on the floor, while shacks, hanging fishing nets and depictions of canoes honour its vibrant, long-standing fishing community. Yet being present in this exhibition space, one cannot help but think of the mountains of discarded clothing that mar the charm and serenity of the shoreline.

Beyond the Centrepiece

The festival program included much more. Inside an raw space at the local university, creator Sylvester showcased a deeply moving minimalist collection, an incredibly moving, minimalist exhibition that featured three-dimensional works and canvases created in collaboration with welders.

And then there is the prestigious art award for Ghanaian women creators. It featured the debut presentation of a 2024 laureate, whose work references historical documents to create a artistic representation of life in the nation's recent history. The event also crowned a latest winner, whose multidisciplinary work is deeply focused on the weaving practices of women in Dabala.

A Permanent Presence

While the overseas community has more and more been attracted back to Ghana in the winter months, an increasing number are contemplating travelling earlier in the year to experience the area's cultural season. From Accra Cultural Week and regional art fairs, what you’ll find are art scenes that are not merely new or “rising” but have established an complete world that is enduring.

Finally, the journey offers a perception of Accra that feels like a statement for ecological stewardship and the safeguarding of culture. It is a compelling tribute to perseverance in all its forms.